Mantostaan Movie Review, Rating, Hit or Flop & Box Office Collection

Mantostaan Review, Rating, Hit or Flop & Box Office Collection

Mantostaan Movie Review, Rating, Hit or Flop & Box Office Collection Opngin Day, First Day, 1st Weekend: This weekend 5th May 2017 there is no big release at the box office and there is only on movie running at the domestic marking, which is called Baahubali 2. Mantostaan is released today at the box office and hopefully going to do average business for the makers.

Mantostaan Movie Review

The movie is featuring Raina Bassnet, Tariq Khan, Shoib Kazmi, Sakshi Bhatt, Rahat Kazmi, Sonal Sehgal, Virendra Saxena, Raghuveer Yadav in the main leading roles. Mantostaan is all set to release on 05 May, 2017 in India.

The film fails in translation: it is a forced construct, and comes off flat and stagey, both in treatment and performance. It’s only the power of the original material which breaks through once in a while and holds us. Read Full Review:  Mantostaan movie review: A searing tale lost in translation.

Mantostaan Movie Details

  • Directed by: Rahat Kazmi
  • Star Cast: Raina Bassnet, Tariq Khan, Shoib Kazmi, Sakshi Bhatt, Rahat Kazmi, Sonal Sehgal, Virendra Saxena, Raghuveer Yadav
  • Language: Hindi
  • Produced by: Rahat Kazmi, Tariq Khan And Aditya Pratap Singh
  • Release Date: 05/05/2017
  • Edited by: Sandeep Singh Bajeli
  • Cinematography: Laxmi Chand

As I told you above that this weekend Baahubali 2 is only one choice of people to watch at the box office. And recent release movie has no big face and nothing big to deliver to the audience. This movie is not even going collect half bucks of the budget.

Mantostaan Movie

Mantostaan Movie Box Office Collection

These age-old bonds have been altered forever by the Partition, but Kazmi is ill-placed to capture the emotional upheaval and the punch of Manto’s stories. The movie has no big face, so it would get very low box office business.

Mantostaan Movie Story & Trailer Video

The movie story is based on four Manto stories, and functions as a quartet, which cuts from one story to the other, the pace increasing as the film progresses. They become one, as the place and time of that mass migration come together in Manto’s searing strokes.

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